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BASSET-LOWKE Table with ashwood frame
-25%
BASSET-LOWKE Table with ashwood frame
Inspired by Charles Rennie Mackintosh

€1,599.65

€1,199.74

INGRAM Chair set of 4
-25%
INGRAM Chair set of 4
Inspired by Charles Rennie Mackintosh

€2,294.08

€1,720.56

INGRAM High Chair set of 4
-25%
INGRAM High Chair set of 4
Inspired by Charles Rennie Mackintosh

€2,285.52

€1,714.14

ARGYLE set of 4 chairs with armrests
-25%
ARGYLE set of 4 chairs with armrests
Inspired by Charles Rennie Mackintosh

€2,782.00

€2,086.50

HILL HOUSE Chair set of 4
-25%
HILL HOUSE Chair set of 4
Inspired by Charles Rennie Mackintosh

€1,926.00

€1,444.50

Willow Chair
-25%
Willow Chair
Inspired by Charles Rennie Mackintosh

€2,152.84

€1,614.63

Hill House Chair
-25%
Hill House Chair
Inspired by Charles Rennie Mackintosh

€508.25

€381.19

Oval Basset-Lowke Dining table
-25%
Oval Basset-Lowke Dining table
Inspired by Charles Rennie Mackintosh

€1,793.32

€1,344.99

DS4 Chair
-25%
DS4 Chair
Inspired by Charles Rennie Mackintosh

€571.38

€428.54

DS3 Chair
-25%
DS3 Chair
Inspired by Charles Rennie Mackintosh

€600.27

€450.20

Ingram High Chair
-25%
Ingram High Chair
Inspired by Charles Rennie Mackintosh

€598.13

€448.60

Argyle Chair
-25%
Argyle Chair
Inspired by Charles Rennie Mackintosh

€659.12

€494.34

Charles Rennie Mackintosh

Mackintosh

C.R. Mackintosh

(1868-1928)

Furniture is passion, an expression of our love of life.

A native Scot from Glasgow, today Mackintosh is considered a fundamental reference point for Liberty style, although his line was very personal, because his ideas essentially anticipated the times. His architectural designs, conceived for elementary volumetric blocks, are aspired to an extreme clarity and structural rationality. He was the first to create interiors with entirely white walls, overcoming the concept of the “facade” in architecture, and drawing inspiration from Celtic and primitive art for his forms.

His furniture designs are also highly original and innovative; during the course of his career, he designed rigidly geometric furniture, preferably black, bearing a strong decorative stamp. Mackintosh loved wood and treated it like a supple, malleable material, covering it with lacquer, to hide seams and joints, enhancing only its definitive forms. For Mackintosh, architectonic space and furniture were the same total work of art. This is why – like many figures of the Modern Movement – he personally attended to even the tiniest details (even wallpaper, lighting, tableware), and refused works where he could not exercise a complete control.

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