Inspired by Eileen Gray

Bibendum

Houzz

Eileen Gray Bibendum EG123 1 Zoom

Inspired by Eileen Gray

Bibendum

Save 25%

Availability: In stock

Regular Price: £2,665.90

Special Price £1,999.43

Reset Configuration

* Required Fields

Description

100% Made in Italy. Base of chromium-plated steel tubing. Interior wooden bended frame covered with unshaped expanded polyurethane foam. Leather upholstery.
History
This armchair was designed by Eileen Gray for the Madame Mathieu-Lévy’s apartment in Rue de Lota. She ironically called it “Bibendum” due to the resemblance in shape with the popular symbol of Michelin. This armchair shows the stylistic turn of Gray, known until then for the use of precious materials and oriental lacquers, as well as for her original and eccentric forms. The ironic touch remains, a reference to her creative freedom, but the line and the materials attest Gray’s migration towards the more severe and austere Modernism. Polished chrome tubular steel base. Interior bent wood frame. Crushproof polyurethane foam padding. Leather upholstery.

Additional Info

Dimensions W44 H116 cm
Inspired by Eileen Gray
Line Armchairs
Model Armchair
Structure Schema EG123
E. Gray

Gray

E.Gray

(1878-1976)

Art must be the continuation of life.

Irish and aristocratic by birth, Eileen Gray was trained at the Slade School of Fine Arts of London and in 1902 she moved to Paris. With her extraordinary, creative and unusual personality, she represented the “new woman” of the 1900s: she wore her hair “like a man,” she smoked in public, drove a car, and flew in an airplane. She had romances with men and women and went to restaurants and nightclubs with them, even wearing men’s clothing. She honed her own sensitivity as an artist among some of the major cultural figures of the age: Colette, Gide, Proust, Rilke, Joyce and Gertrude Stein.

The independence and the originality of her mind made her career entirely unique. In 1922, she opened a gallery with furniture, lamps, mirrors and carpets that she produced in small quantities. After her success as an interior designer, and after turning 40, she studied architecture. From Art Deco, she migrated towards the Modern Movement, leaving an indelible imprint on the history of 20th century design. Her house “E 1027” in Cote d’Azur (1927-29) was famous: an emblem of architecture from the 1900s, a monument to Gray’s modernist vision.